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    <p><img alt="Planet X – MetGitarenEnZo" class="n3VNCb"
src="https://i0.wp.com/www.metgitarenenzo.nl/mgez/wp-content/uploads/2017/02/PlanetX-Quantum-420.jpg?fit=420%2C420&ssl=1"
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    <h3 class="review-author headline"> AllMusic Review by <span
        itemprop="author">François Couture</span> <a
        href="https://www.allmusic.com/album/quantum-mw0000583173#"
        class="read-more-headline"> [-]</a></h3>
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      <p> It took <a
          href="https://www.allmusic.com/artist/planet-x-mn0000851807"
          class="name-link">Planet X</a> five years to come up with a
        follow-up to <a
          href="https://www.allmusic.com/album/moonbabies-mw0000226415"
          class="album-link">MoonBabies</a>, and the first thing fans
        are bound to notice is the absence of guitarist <a
          href="https://www.allmusic.com/artist/tony-macalpine-mn0000744391"
          class="name-link">Tony MacAlpine</a>. On this, the group's
        third studio album, <a
          href="https://www.allmusic.com/artist/planet-x-mn0000851807"
          class="name-link">Planet X</a> is presented as a duo --
        leader/keyboardist <a
          href="https://www.allmusic.com/artist/derek-sherinian-mn0000200709"
          class="name-link">Derek Sherinian</a> and drummer <a
          href="https://www.allmusic.com/artist/virgil-donati-mn0000216447"
          class="name-link">Virgil Donati</a> -- rounded up by guest
        bassists (<a
          href="https://www.allmusic.com/artist/jimmy-johnson-mn0000295984"
          class="name-link">Jimmy Johnson</a> and Rufus Philpot) and
        guitarists (mostly <a
          href="https://www.allmusic.com/artist/brett-garsed-mn0000935915"
          class="name-link">Brett Garsed</a>, also fusion legend <a
          href="https://www.allmusic.com/artist/allan-holdsworth-mn0000002252"
          class="name-link">Allan Holdsworth</a> on two tracks). You may
        also find the music veering a little more into fusion territory
        and less into the metal-fusion genre established by the Magna
        Carta label -- and all for the better. In fact, <a
          href="https://www.allmusic.com/album/quantum-mw0000583173"
          class="album-link">Quantum</a> is a quantum leap above
        previous <a
          href="https://www.allmusic.com/artist/planet-x-mn0000851807"
          class="name-link">Planet X</a> releases: stronger compositions
        (tighter and less flashy), more diversity across the album,
        better-dosed excitement. The resulting music is less in your
        face but just as satisfying, since it welcomes repeated listens.
        The fierceness presented as the band's core is its manifesto of
        sorts ("a band that played so fiercely, it would strike fear..."
        stated the press release for the group's first album), giving
        way to a more strategic use of intensity and better-crafted
        songs, as "Alien Hip Hop" brilliantly illustrates. This album
        opener simply keeps on building and building over the course of
        its seven minutes. "Matrix Gate" and "Space Foam" are vintage <a
          href="https://www.allmusic.com/artist/planet-x-mn0000851807"
          class="name-link">Planet X</a> tracks -- complex time
        signatures, jammy feel, and a drummer that just won't quit. On
        the other hand, you have moodier pieces like "Kingdom of Dreams"
        or the <a
          href="https://www.allmusic.com/artist/holdsworth-mn0000002252"
          class="name-link">Holdsworth</a> feature "Desert Girl," laden
        with jazzy stacked chords and subtler progressions. The only
        piece that does not quite work out is the closing "Quantum
        Factor," its stop-start sections failing to form a cohesive
        whole; here, the band falls back to its early excesses. That
        minor flaw aside, <a
          href="https://www.allmusic.com/album/quantum-mw0000583173"
          class="album-link">Quantum</a> is a surprisingly mature album,
        the kind that could redefine <a
          href="https://www.allmusic.com/artist/sherinian-mn0000200709"
          class="name-link">Sherinian</a>'s career. Recommended. [<a
          href="https://www.allmusic.com/album/quantum-mw0000583173"
          class="album-link">Quantum</a> was also released with bonus
        tracks.] </p>
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    <div class="moz-cite-prefix">On 03-08-2020 15:28, R.O. wrote:<br>
    </div>
    <blockquote type="cite"
      cite="mid:05d16930-2421-420f-2d8c-cf84e90be196@ziggo.nl">
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      <div class="moz-cite-prefix">On 03-08-2020 08:11, R.O. wrote:<br>
      </div>
      <blockquote type="cite"
        cite="mid:96d901b0-853f-198e-b203-015122d35c7d@ziggo.nl">SpaceX
        net als Malcom-X een dikke kruis door de space. Heidegger en
        Derrida maakten er ook een gewoonte van om woorden door te
        kruisen (SeinX). <br>
        <br>
        <br>
        <a class="moz-txt-link-freetext"
          href="https://en.wikipedia.org/wiki/Sous_rature"
          moz-do-not-send="true">https://en.wikipedia.org/wiki/Sous_rature</a>
        <br>
        <br>
        To write 'Under erasure' is to write a word, cross it out, and
        then print both word and deletion. The word is inaccurate (which
        itself is an inaccurate word), hence the cross, yet the word is
        necessary, hence the printing of the word. This is one of the
        principal strategies of Derrida: "(possibility) of a discourse
        which borrows from a heritage the resources necessary for the
        deconstruction of that heritage itself".[18] This is similar to
        the concept of bricolage coined by anthropologist Lévi-Strauss.
        <br>
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