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      255);">THREE INQUIRIES IN MEDIA AND MEDIATION</h2>
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            href="http://press.uchicago.edu/ucp/books/author/G/A/au16744437.html"
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            204, 255);">ALEXANDER R. GALLOWAY</a>,<span
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            href="http://press.uchicago.edu/ucp/books/author/T/E/au9131368.html"
            style="margin: 0px; padding: 0px; color: rgb(62, 62, 62);
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            href="http://press.uchicago.edu/ucp/books/author/W/M/au14413949.html"
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              font-size: 11px;">216 pages | 2 tables | 5-1/2 x 8-1/2 | ©
              2013</div>
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              <p style="margin: 0px 0px 16px; padding: 0px;">Always
                connect—that is the imperative of today’s media. But
                what about those moments when media cease to function
                properly, when messages go beyond the sender and
                receiver to become excluded from the world of
                communication itself—those messages that state: “There
                will be no more messages”? In this book, Alexander R.
                Galloway, Eugene Thacker, and McKenzie Wark turn our
                usual understanding of media and mediation on its head
                by arguing that these moments reveal the ways the
                impossibility of communication is integral to
                communication itself—instances they call
                excommunication.</p>
              <div style="margin: 0px; padding: 0px;"> </div>
              <div style="margin: 0px; padding: 0px;">In three linked
                essays,<span class="Apple-converted-space"> </span><i
                  style="margin: 0px; padding: 0px;">Excommunication</i> pursues
                this elusive topic by looking at mediation in the face
                of banishment, exclusion, and heresy, and by
                contemplating the possibilities of communication with
                the great beyond. First, Galloway proposes an original
                theory of mediation based on classical literature and
                philosophy, using Hermes, Iris, and the Furies to map
                out three of the most prevalent modes of mediation
                today—mediation as exchange, as illumination, and as
                network. Then, Thacker goes boldly beyond Galloway’s
                classification scheme by examining the concept of
                excommunication through the secret link between the
                modern horror genre and medieval mysticism. Charting a
                trajectory of examples from H. P. Lovecraft to Meister
                Eckhart, Thacker explores those instances when one
                communicates or connects with the inaccessible, dubbing
                such modes of mediation “haunted” or “weird” to
                underscore their inaccessibility. Finally, Wark evokes
                the poetics of the infuriated swarm as a queer politics
                of heresy that deviates from both media theory and the
                traditional left. He posits a critical theory that
                celebrates heresy and that is distinct from those that
                now venerate Saint Paul.</div>
              <div style="margin: 0px; padding: 0px;"> </div>
              <div style="margin: 0px; padding: 0px;">Reexamining
                commonplace definitions of media, mediation, and
                communication,<i style="margin: 0px; padding: 0px;">Excommunication</i> offers
                a glimpse into the realm of the nonhuman to find a
                theory of mediation adequate to our present condition.</div>
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href="http://press.uchicago.edu/ucp/books/book/chicago/E/bo14413838.html#tab-content"
              style="margin: 0px; padding: 4px 0em 7px 5px; color:
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                letter-spacing: 3px; text-transform: uppercase;">CONTENTS</span></a></li>
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            <div id="quotes_head" style="margin: 0px; padding: 0px;"><strong
                style="margin: 0px; padding: 0px; font-family: Georgia,
                'Times New Roman', Times, serif; font-style: italic;
                font-weight: bold; font-size: 12px;">Thomas Bartscherer,
                Bard College</strong></div>
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              <div style="margin: 0px; padding: 0px;">“At a moment when
                media theory seems both ubiquitous and amorphous, more
                necessary than ever, yet often trapped in old paradigms
                or infatuated with new technology,<span
                  class="Apple-converted-space"> </span><i
                  style="margin: 0px; padding: 0px;">Excommunication<span
                    class="Apple-converted-space"> </span></i>makes a
                timely and provocative intervention. There’s so much
                intellectual ferment in this historically informed,
                radically contemporary volume that it might well be a
                founding document—has the New York school of media
                theory finally arrived?”</div>
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            <div id="quotes_head" style="margin: 0px; padding: 0px;"><strong
                style="margin: 0px; padding: 0px; font-family: Georgia,
                'Times New Roman', Times, serif; font-style: italic;
                font-weight: bold; font-size: 12px;">Steven Shaviro,
                Wayne State University</strong></div>
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              padding: 0px;">
              <div style="margin: 0px; padding: 0px;">“Communicational
                media permeate every aspect of our lives. But do we
                really know what media are? And do we really grasp
                what's at stake in every act of communication? In this
                book, Alexander R. Galloway, Eugene Thacker, and
                McKenzie Wark explore the obscure but fascinating
                origins and esoteric limits of communicational media and
                suggest helpful ways that we might be able to experience
                and use them differently.”</div>
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        <p style="margin: 0px; padding: 0px;"><b style="margin: 0px;
            padding: 0px; font-size: 11px;">Literature and Literary
            Criticism:<span class="Apple-converted-space"> </span></b><a
href="http://press.uchicago.edu/ucp/books/subject/su37/su37_7.html"
            style="margin: 0px; padding: 0px; color: rgb(62, 62, 62);
            text-decoration: none; border-bottom-width: 1px;
            border-bottom-style: dotted; border-bottom-color: rgb(0,
            204, 255);">General Criticism and Critical Theory</a></p>
        <p style="margin: 0px; padding: 0px;"><a
            href="http://press.uchicago.edu/ucp/books/subject/su39.html"
            style="margin: 0px; padding: 0px; color: rgb(62, 62, 62);
            text-decoration: none; border-bottom-width: 1px;
            border-bottom-style: dotted; border-bottom-color: rgb(0,
            204, 255);"><b style="margin: 0px; padding: 0px; font-size:
              11px;">Media Studies</b></a></p>
        <p style="margin: 0px; padding: 0px;"><b style="margin: 0px;
            padding: 0px; font-size: 11px;">Philosophy:<span
              class="Apple-converted-space"> </span></b><a
            href="http://press.uchicago.edu/ucp/books/subject/su45/su45_4.html"
            style="margin: 0px; padding: 0px; color: rgb(62, 62, 62);
            text-decoration: none; border-bottom-width: 1px;
            border-bottom-style: dotted; border-bottom-color: rgb(0,
            204, 255);">General Philosophy</a></p>
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