[D66] Engels comes of age
R.O.
jugg at ziggo.nl
Sat Nov 14 07:18:35 CET 2020
* 8 Nov 2020
* The Observer
* Tristram Hunt is director of the Victoria & Albert Museum
Engels comes of age Does Marx’s man deserve more than ‘second fiddle’?
Two centuries after the socialist émigré’s birth, his biographer
Tristram Hunt argues that he should finally be recognised as a true
visionary
This reluctant Mancunian deserves so much more than just being cast in
the role of history’s supporting man
From page 47 While most radical artists have spent the last few years
demanding that statues of imperial heroes be pulled down, in Manchester
they have gone the other way. In 2017, the film-maker Phil Collins
transported a statue of Friedrich Engels on a flat-bed truck from
eastern Ukraine, a former colony of the Soviet empire, to the heart of
the “northern powerhouse”.
It was a superb, counter-intuitive gesture: placing the man who hated
“Cottonopolis” in the heart of its commercial nexus. For with the
exception of a polite blue plaque in north London’s Primrose Hill and a
sign that once stood on Eastbourne beach (where his ashes were
scattered), the statue is one of the hopelessly few reminders we have of
one of Britain’s greatest émigrés.
This month marks the 200th anniversary of the birth of the Rhinelander
turned reluctant Mancunian turned old Londoner.
Always happy to play “second fiddle to so splendid a first violin” as
Karl Marx (“How can anyone be envious of genius; it’s something so very
special that we, who have not got it, know it to be unattainable right
from the start?”), he deserves so much more than just being cast as
history’s supporting man.
Not only was he instrumental in shaping 20th-century Marxism, but his
own vision of socialism feels more relevant to our contemporary concerns
than does the pure political economy of Karl Marx.
Born on 28 November 1820 in Barmen, along the Wupper Valley, in Prussia,
Engels grew up as the scion of a strictly Calvinist, capitalist, and
suffocatingly bourgeois family of textile merchants. His was a loving
childhood in what was termed “the German Manchester”. But from an early
age Engels found the human costs of his family’s prosperity hard to
bear. Aged only 19, he wrote of the plight of factory workers “in low
rooms where people breathe in more coal fumes and dust than oxygen”, and
lamented the creation of “totally demoralised people, with no fixed
abode or definite employment”.
After falling under the spell of the Young Hegelians at Berlin
University, it was 1840s Manchester that turned him towards socialism.
Sent to work at the family mill in Salford in the epicentre of the
industrial revolution, he saw how unregulated capitalism entailed
sustained dehumanisation: “Women made unfit for childbearing, children
deformed, men enfeebled, limbs crushed, whole generations wrecked,
afflicted with disease and infirmity, purely to fill the purses of the
bourgeoisie,” as he put it in his masterwork, The Condition of the
Working Class in England (1845).
What Engels also brilliantly revealed in this book was how urban
planning and regeneration were arenas for class conflict. He is the
father of modern urban sociology, explaining how city space is always
socially and economically constructed.
After the failure of the 1848 continental revolutions, Engels was forced
to return to Manchester as a cotton lord in order to fund Marx’s
philosophy. He hated it. “Huckstering is too beastly, most beastly of
all is the fact of being not only a bourgeois … but one who actively
takes sides against the proletariat.” That painful personal sacrifice
ensured the publication of Marx’s Das Kapital in 1867. Unfortunately,
Marx’s life work soon looked in danger of falling victim to “the
bourgeois conspiracy of silence”, until Engels started organising
much-needed publicity. It was Engels’s popularisation of Marx’s central
insights in his pamphlets Anti-Dühring and Socialism: Utopian and
Scientific , that launched Marxism as a global creed.
After Marx’s death in 1883, Engels enjoyed the freedom of expanding
Marx’s thinking in new directions. In his study of the history of family
life, Engels laid the foundations for socialist feminism with his
connection of capitalist exploitation to gender inequality. Similarly,
Engels pioneered the Marxist vision of colonial liberation with his
early analysis of imperialism as a core component of Western capitalism.
>From Vietnam to Ethiopia, China to Venezuela, Engels’s theory of
emancipation was adopted by antiimperial freedom fighters, even as the
Soviet empire deployed him to expand across eastern Europe.
Engels was a figure of profound historical and philosophical
significance. Yet what I discovered, as his biographer, was that his
vision of socialism could also be richly uplifting: the grisly, corrupt,
anti-intellectual egalitarian Marxism of the 20th century would have
horrified him. “The concept of a socialist society as a realm of
equality is a one-sided French concept,” he said. Instead, Engels
believed in cascading the pleasures of life – food, sex, drink, culture,
travel, even fox-hunting – across all classes. Socialism should not be a
never-ending Labour party meeting, but a life of enjoyment. The real
challenge of living in Manchester was that he could find no “single
opportunity to make use of my acknowledged gift for mixing a lobster
salad”.
It is entirely appropriate then that his statue now commands Tony Wilson
Place, named in honour of the fast-living co-founder of Factory Records
and the Hacienda nightclub, who also believed in the good things in
life. Finally, 200 years after his birth, and a long way from his
birthplace, we have a proper memory of Engels in his rightful place.
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